2nd Teylers-Delineavit Symposium a Big Success

Terry van Druten, Carel van Tuyll van Serooskerken holding the Teylers Medal of Honour, Stan Kaatee and Marleen Ram
7 June 2024 / Haarlem
The second biennual symposium organised by Teylers Museum and Delineavit at Sculpsit took place at the museum on Friday 7 June. It attracted nearly a hundred participants. Curators, registrars, professors, art dealers, collectors, and others interested in the graphic arts, mainly from Holland and a few from Belgium, filled the museum’s auditorium. Several speakers gave presentations on the topic Art on Paper for the Public (see the preceding News item below). They gave an illuminating glimpse into the early history of their museum or university collections of prints and drawings up to about 1900. This was concluded by a lively panel discussion led by Marleen Ram, curator of Teylers Museum and member of the Delineavit editorial board, as well as organiser of this special event. At the end of the meeting, a surprise tribute was paid to one of the participants, former Teylers chief curator Carel van Tuyll van Serooskerken, who was presented with the Teylers Medal of Honour as a token of appreciation for his decades of dedication to the museum.
Teylers-Delineavit Biannual Symposium in Haarlem
7 June 2024 / Haarlem
Teylers Museum and Delineavit et Sculpsit cordially invite you to the biannual symposium on Dutch drawings and prints: Art on Paper for the Public. During this second edition of the Teylers-Delineavit Symposium several speakers will discuss the genesis and use of institutional collections of drawings and prints in the Netherlands and Belgium, c. 1780-1900. A panel discussion will take a closer look at how different organisations keep these collections relevant and up-to-date.
For the program click here.
Gerrit Lamberts (draughtsman and curator), The Print Room of the Former Rijksmuseum in the Trippenhuis at Kloveniersburgwal 29 in Amsterdam, 1838. Coloured pen drawing. Stadsarchief / City Archives Amsterdam (click here for details)
Ad Stijmans researches European Colour Printing
15 February 2024 / The Hague
Professional printmaker and scholar Dr. Ad Stijman is the present Jacoba Lugt-Klever Fellow. This two-years fellowship (2024-25) is supported by the Fondation Custodia and the RKD. Stijmans’s research project is called A Brighter Vision: European Colour Printing 1450 to 1830. A description and regular updates about the project’s developments are presented on a special webpage.
Getty Paper Project 2024-2025 grants

Michelangelo, Studies of an Outstretched Right Forearm, circa 1508–1509. Rotterdam, Museum Boijmans Van Beuningen (former Koenigs Collection)
1 February 2024 / Los Angeles
The Getty Foundation is supporting 13 fully funded workshops and traveling seminars for curators of works on paper that start this spring and continue into 2025. Here’s a link to the Getty’s announcement. See also a chronological list of all grants awarded since 2018, including projects at the Museum Boijmans Van Beuningen and the Rijksmuseum Amsterdam.
Stijn Alsteens new director of the Fondation Custodia

Stijn Alsteens at the opening of the Salon du Dessin, Paris 26 March 2012
1 December 2023 / The Hague
On 1 April 2024 Stijn Alsteens will take up the position of director of the Fondation Custodia in Paris, the main sponsor of our journal. After his arthistorical studies at the Universities of Leuven and Amsterdam, Alsteens started his career at the Fondation Custodia as a curator, from 2001 to 2006, when he moved to The Metropolitan Museum’s department of Drawings and Prints for 10 years, returning to Europe in 2016 to head the department of Old Master Drawings at Christie’s in London and Paris. Belgian born and thus bilingual Dutch-French and a renowned expert of Old Master drawings with an international network, as well as a former curator very familiar with the Lugt Collection, Alsteens is ideally equipped to succeed Ger Luijten, who unexpectedly passed away on 19 December last year. We wish him and his staff much pleasure and success!
For more information, see the Fondation’s website.
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